Selected Video Art
with the threat of death ahead (2020)
Commissioned during the COVID-19 lockdown by Theatre Bay Area for their annual Gala, I created this work in response to the 2020 uprisings incited by George Floyd's murder. I heard Nina Simone's words on the radio, speaking at a 1968 concert she performed in the wake of Martin Luther King Jr's assassination, a man she considered a comrade. The title comes from a lyric she sang at that concert, which she interrupted to speak about the recent deaths of many close friends. The visuals of this video reflect the exhaustion, grief and resolve I heard in her voice, reverberating across time and generations. Nina spoke both to her time and to the moment I was living through, and I was struck by the depressingly cyclical nature of the violences and premature deaths she described. The video explores the ways Black/Afro-Diasporic peoples are trapped in the same spirals of violence, which merely take on new forms. At the end I heed Nina’s call of “staying close,” interspersing moments of common intimacy that keep us alive: caressing a face, hands around a lover’s neck. This video is a prayer, an offering, a call towards hope, and a manifesto illustrating how we can attempt to live "with the threat of death ahead."
Additional video art:
THE MUSIC TOOK MY MIND (2022)
Commissioned by Jess Curtis/Gravity for the 2021 Beyond Gravity virtual showcase. Screened at the 2022 Queering Dance Festival virtual showcase in Oakland, CA.
how the blood blooms (2020)
Commissioned for the Onye Ozi 2019-2020 Fellowship. Screened at the group exhibition ‘BAKI ÁJĀ 002 Inheritances’ in London, UK on November 9, 2025.